We’re travelling along a deserted landscape, while quietly but slowly increasing, two beautiful musical notes repeat. Off in the distance we see a handful of large crystalline domes huddled together on the plain. The two notes build and swell on the soundtrack until, at the moment of crescendo, they become a glorious sequence of chords as we are upon the domes. And then, we’re in.
Inside, there’s a city. A wondrous city of lights and speeding vehicles. An undulating tube shoots sleek cars across the synthetic sky. We see glittering technological pyramids and other geometric shapes that are undefined by our experience. The music becomes staccato, shimmering, as synthetic as the city but somehow more fantastic. Continue reading